By Eric Gardner
In June 1867, the San Francisco Elevator-one of the nation's most desirable black weekly newspapers in the course of Reconstruction-began publishing articles through a Californian calling herself "Ann J. Trask" and later "Semper Fidelis." Her identify was once Jennie Carter (1830-1881), and the Elevator might print her essays, columns, and poems for seven years.
Carter most likely spent her youth in New Orleans, manhattan, and Wisconsin, yet by the point she wrote her "Always devoted" columns for the newspaper, she was once in Nevada County, California. Her paintings considers California and nationwide politics, race and racism, women's rights and suffrage, temperance, morality, schooling, and a number of different matters, all from the viewpoint of an unabashedly strong-minded African American woman.
getting better Carter's paintings from obscurity, this quantity re-presents some of the most intriguing our bodies of extant paintings through an African American journalist prior to the 20th century. Editor Eric Gardner presents an advent that files as a lot of Carter's lifestyles in California as may be identified and areas her paintings in old and lite-rary context.
Eric Gardner is chair and professor of English at Saginaw Valley country collage. he's the editor of Major Voices: The Drama of Slavery, and his paintings has seemed in African American Review, the African American nationwide Biography, and Legacy.
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Extra info for Jennie Carter: A Black Journalist of the Early West (Margaret Walker Alexander Series in African American Studies)
Jennie Carter: A Black Journalist of the Early West (Margaret Walker Alexander Series in African American Studies) by Eric Gardner